Friday, March 12, 1999

6:00 — 7:00 p.m. Registration (155 Cunningham Fine Arts Building)

Session I Pitch-Set Theory and Other Issues in Twentieth-Century Music

Session chair: J. Kent Williams

7:00 p.m. Quartal Pitch Class Set Theory and Prokofiev’s There are Other Planets

Daniel Bertram, Yale University

7:40 p.m. Schonberg in Stravinsky's Ears: A Theoretical Approach

Christoph Neidhofer, Harvard University

8:20 p.m. Stravinsky's Paradox: Motion Within Stasis

Akane Mori, Hartt School of Music

Saturday, March 13, 1999

8:00 — 9:00 a.m. Registration and Coffee

Session II: Rational Approaches to the Analysis of Tonal Music

Session chair:

9:00 a.m. Learning to Think Musically: Bach's Two-Part Inventions as a Musical Dialectic

John Crotty, West Virginia University College of Creative Arts

9:40 a.m. Voiceleading and Koch's Concept of Completeness

Richard Williamson, Anderson College

10:20 — 10: 40 a.m. break

D’Ette Bollinger, Ohio State University

11:20 a.m. Symmetrical Pitch Structures in Rachmaninoff

Robert Cunningham, Florida State University

12:00—1:30 p.m. Lunch and business meeting (Vail Commons)

Session chair:

2:00 p.m. Interactive MIDI Instructional Applications on the Web Using JavaScript and the Beatnik Plug-in

Keith Kothman, University of Miami

2:40 p.m. Inversional Symmetry and Intervallic Relationships in Quiero dormir el sueno de las manzanas
         from George Crumb’s Madrigals, Book III

Scott Robbins, Converse College