"A Mix of Old and New: the Relationship of Five Renaissance Dance Forms to Like-Named Movements in Igor Stravinsky's Agon"

Mark Richardson (Knoxville, Tennessee)

"Early Rock as an Emblem in Late-Seventies Popular Music"

James Carlson (Duke University)

SESSION II: Analytical Perspectives on 19th-Century Works
Bruce Thompson (Winthrop University), Chair

"Consistency in Harmony and Harmonic Inconsistency in Two Late Piano Pieces of Franz Liszt"

Gabe Fankhauser (Florida State University)

"False Starts and Blurred Beginnings: the Scherzo of Beethoven's Op. 131"

Amy Carr-Richardson (Knoxville, Tennessee)

"Tragic Subtext, Narrative Surface, and Structural Development in Liszt's Nuages gris"

Paul Craner (Florida State University)

LUNCH and BUSINESS MEETING

SESSION III: Theoretical Perspectives
Thomas Huener (East Carolina University), Chair

"D'Indy the Progressive: Nested Trilogies and les trois états de la tonalité in Beethoven's Op. 106/I"

Ronald Rodman (Carleton College)

"A Hypermedia Concordance to Pitch-Class Sets in Bartók's Mikrokosmos"

J. Kent Williams (University of North Carolina-Greensboro)