SESSION I: Melodic and Harmonic Theory.

Jane Clendinning (Florida State University), Chair

"Enharmonicism and the Omnibus Progression"

Paula Telesco (Wayne State University)

"Canonic Treatment of 'L'homme arme': Intuition or Successful Design?"

Mary Linklater (Rockville, Maryland)

"Reicha's Theory of Unified Melody"

Renee McCachren (Catawba College)

SESSION II: Theory and Analysis of Rhythm

James Mathes (Florida State University), Chair

"Minimum Aggregate Partitions: Mapping Timepoints in Babbitt's String Quartets Nos. 3 and 4"

Wayne Alpern (Graduate Center, City University of New York)

"The Rhythm of the Nymph: Long-Range Motion and Coherence in Monteverdi's Lament"

Linda Ciacchi (Michigan State University)

"Toward an Epistemology-Based Theory of Meter"

Robert Cunningham (Florida State University)

"Multiply-directed Linear Time and Bach's Violin Concerto in E major"

Mauro Botelho (Davidson College)

"Rhythmic Dissonance as Motion Propellant: An Examination of Rhythmic Irregularity in Brahms' Intermezzo in Ab, Op. 76, No. 3"

Gabe Fankhauser (Florida State University)

LUNCH and BUSINESS MEETING

SESSION III: Fresh Approaches to Analysis

Steve Miles (New College), Chair

"Electronic Spreadsheets and Database Managers: New Tools for Music Analysis Classes"

J. Kent Williams (University of North Carolina-Greensboro)

Formal Ambiguity and Expressive Richness in Brahms' Op. 116, No. 4"

Paul Wilson (University of Miami)

Keynote Address

Dorothy Payne (Dean, University of South Carolina School of Music)