From
Landfill Management and Wastewater Treatment to Mozart:
Using Multiple
Regression to Model Musical Contour (Abstract)
Danny Beard, Florida State University
About Triple Hypermeter (Abstract)
David Smyth, Louisiana State University
Night Phantoms Begone! Pervasive Fluency in Wolf's "In Der Frühe" (Abstract)
Evan Jones, Florida State University
Every Love but True Love: Unstable Relationships in Cole Porter's "Love for Sale" (Abstract)
Michael Buchler, Florida State University
Working From 8 to 5: Interpreting the Interrupted 8-line in American Song (Abstract)
Edward Latham, Temple University
Pandel Collaros, Bethany College
Guy Capuzzo, University of North Carolina-Greensboro
Rob Keller, Florida State University
Hearing an Old Story in a New Way: An Analysis of Loewe's "Erlkönig" (Abstract)
Nancy Rogers, Florida State University
Prolongation of Agony: A Reductive Analysis of the Amfortas' Prayer Scene from Wagner's Parsifal
Scott Baker, University of Southern Mississippi
The Drama in the Music: A Theoretical Interpretation of Samuel Barber's A Hand of Bridge (Abstract)
Beth Smith, Florida State University
Transpositional Parallels in Uninterrupted Sonata Types: Schubert and Beyond (Abstract)
Boyd Pomeroy, Georgia State University
Schenkerian Analysis and the Imperfect: A Case for Interruption at ^3 (Abstract)
Michael Baker
The Role of Non-Tonic-Key Variations in the Large-Scale Organization of
Brahms's Variations for Four Hands on a Theme Robert Schumann, Op. 23 (Abstract)
Hiu-Wah Au, Elizabethtown College
Harmonic Refraction, Flat Primary Triads, and the Harmonic Idiom of Shostakovich and Prokofiev (Abstract)
Gabe Fankhauser, Appalachian State University
"Angefangen Cannes": Schoenberg's Unfinished 1927 Work for Violin and Piano
Stephen Peles, University of Alabama
Tonal Entropy as Rhetorical Strategy in Webern's Op. 7, No. 3 (Abstract)
Steven Harper, Georgia State University
Rhythmic Topoi in African Music
V. Kofi Agawu, Princeton University