Music Theory SouthEast

Davidson College

March 14-15, 2003

 

Friday, March 14

SESSION I - 2:00-5:00 PM

Nancy Rogers (Florida State University), "Some Correlations between Solfege Expertise and Pitch Memory."

Juan Chattah (Florida State University), "Understanding and Defying Film Music Conventions: A New Model for Analysis."

Catherine Losada (CUNY), "Chromatic Saturation and the Significant Gap as Unifying Devices in Berio's Sinfonia."

Roxane Prevost (SUNY-Buffalo), "Metrical Ambiguities in Ursula Mamlok's Panta Rhei (1981)."

Dinner

 

Saturday, March 15

SESSION II - 9:00 AM-12:00 noon

Gretchen C. Foley (University of Nebraska), "Arrays and K-Nets: Transformational Relationships within Perle's Twelve-Tone Tonality."

Michael Berry (CUNY), "A Modular Space Approach to Voice Leading in Atonal Music."

Robert T. Kelley (Florida State University), "Charting Enharmonicism on the Just-Intonation Tonnetz: A Practical Approach to Neo-Riemannian Analysis." (Winner, Best Student Paper Award)

Adam Ricci (Eastman School of Music), "Harmonic Sequences with Three- (or more) Chord Patterns: Theory and Practice."

Lunch - 12:00-1:00 PM

Business Meeting - 1:00-2:00 PM

SESSION III - 2:00-5:00 PM

Eugene Montague (Univesity of Central Florida), "Metrical Dissonance and Moving to Music."

Don Traut (University of North Carolina-Greensboro), "Recurring Accent Patterns in Rock Music."

James S. MacKay (Loyola University), "Musical Proportion and Formal Function in Classical Sonata Form: Three Case Studies from Late Haydn and Early Beethoven."

Andrew Kizas (University of Western Ontario), "Heinrich Schenker and the Organicism Debate: Unpacking Schenker's Place in the Germanic Philosophical Tradition."


MTSE Program Archive