Friday, March 14
Nancy Rogers (Florida State University), "Some Correlations between Solfege
Expertise and Pitch Memory."
Juan Chattah (Florida State University), "Understanding and Defying Film
Music Conventions: A New Model for Analysis."
Catherine Losada (CUNY), "Chromatic Saturation and the Significant Gap
as Unifying Devices in Berio's Sinfonia."
Roxane Prevost (SUNY-Buffalo), "Metrical Ambiguities in Ursula Mamlok's
Panta Rhei (1981)."
Dinner
Saturday, March 15
Gretchen C. Foley (University of Nebraska), "Arrays and K-Nets: Transformational
Relationships within Perle's Twelve-Tone Tonality."
Michael Berry (CUNY), "A Modular Space Approach to Voice Leading in Atonal
Music."
Robert T. Kelley (Florida State University), "Charting Enharmonicism on
the Just-Intonation Tonnetz: A Practical Approach to Neo-Riemannian Analysis."
(Winner, Best
Student Paper Award)
Adam Ricci (Eastman School of Music), "Harmonic Sequences with Three- (or more) Chord Patterns: Theory and Practice."
Eugene Montague (Univesity of Central Florida), "Metrical Dissonance and Moving to Music."
Don Traut (University of North Carolina-Greensboro), "Recurring Accent Patterns in Rock Music."
James S. MacKay (Loyola University), "Musical Proportion and Formal Function in Classical Sonata Form: Three Case Studies from Late Haydn and Early Beethoven."
Andrew Kizas (University of Western Ontario), "Heinrich Schenker and the Organicism Debate: Unpacking Schenker's Place in the Germanic Philosophical Tradition."