Music Theory Southeast
Tenth Annual Meeting
Bob Jones University
Greenville, SC
Friday, March 16
6:00-7:00 Registration
Session 1: Twentieth-Century Music
- 7:00-7:40 "The Piano Suite, Op. 25/1: The Contrapuntal Combination as a
Mode of Presentation in a Twelve-Tone Context."
- John Brackett, UNC at Chapel Hill.
Abstract
-
- 7:40-8:20 "A Heterogeneous Analysis of the Eighth Piano Sonata, Op. 66 of
Alexander Scriabin."
- Scott Baker, Florida State University Abstract
-
- 8:20-9:00 "Control and Chaos in the Player Piano Studies of Conlon Nancarrow."
- Eric Drott, Yale University Abstract
BREAK (20 minutes)
- 9:20-10:00 "From Craft to Art: Formal Structure in the Music of the Beatles."
- John Covach, UNC at Chapel Hill Abstract
Saturday, March 17
8:30-9:00 Registration
Session 2: Schenkerian Analysis
- 9:00-9:40 "Displacement and its Role in Schenkerian Theory."
- Donald Traut, Eastman School of Music Abstract
(Winner,
Best Student Paper Award)
-
- 9:40-10:20 "Analysis and Performance as they Relate to J.S. Bach's Prelude
and Fugue in A minor, BWV 543."
- Scott Roberts, Florida State University Abstract
BREAK (20 minutes)
Session 3: Mozart and Beethoven
- 10:40-11:20 "Mozart's Transcendental Tendencies: Opening with a Closing
in K. 311."
- Craig Harwood, Yale University Abstract
-
- 11.20-12:00 "Musical Borrowing from Bach's Well-Tempered Clavier in Beethoven's
Op. 131."
- Amy Carr-Richardson, East Carolina University Abstract
12:00-2:00 LUNCH AND BUSINESS MEETINGS
Session 3: Debussy's Prelude a L'Apres midi d'un faune
- 2:00-2:40 "A Pitch-Class Set Analysis of Chromatic Harmony and Voice Leading
in Debussy's Prelude a l'Apres midi d'un faune."
- Michael Baker, University of Kentucky Abstract
-
- 2:40-3:20 "Mallarme's L'Apres midi d'un faune and Debussy's Musical Analogue:
a Study in Poetical-Musical Intertextuality."
- John E. Crotty, West Virginia University Abstract
BREAK (25 minutes)
- 3:45 KEYNOTE ADDRESS "Nonconformist Keynotes: A Study in Late Nineteenth-Century
Musical Structure"
- Daniel Harrison, University of Rochester and the Eastman School of Music
Abstract
MTSE Program Archive