Thursday, March 9

Afternoon

4:00 - 5:30	SEHKS Registration
4:30 - 5:30	SEHKS Board Meeting
5:30 - 8:00	Dinner (on your own)
8:00	SEHKS Recital: Christopher Stembridge, organ and Elena Sevshikh, fortepiano (OH)

Friday, March 10

Morning

8:30 - 9:00	SEHKS Registration
9:00 - 10:15	SEHKS session (RH)
	Ed Swenson, (Ithaca College) "A Tour of Three Mid-19th-Century American Piano Factories"
	Angeline Case-Stott (University of Memphis), mini-recital: "Music of Anna Bon and Elizabeth-Claude Jacquet de la Guerre"
10:15 -10:30	Break
10:30 - 11:45	SEHKS session (RH)
	Joyce Lindorff (Temple University), "Back to Basics? Antique Harpsichords and Early 20th-Century Harpsichord Music"
	Elaine Funaro, mini-recital: "Something Borrowed and Something New: New Music Inspired by Old Forms"
11:45	Lunch (on your own)

Afternoon

12:00 - 1:00	Registration - all groups
1:00 - 2:15	Joint session (LH 217)
	Candace Bailey (North Carolina Central University), "Unmeasured Preludes in England"
	Alexander Silbiger (Duke University), "'Il chitarrino le suonerò': commedia dell'arte in Mozart's Piano Sonata K. 332"
2:15 - 2:30	Break
2:30 - 3:45	Joint session (LH 217)
	Ross Duffin (Case Western Reserve University), "Issues of 18th-century Temperament and Tuning"
	James Nalley (George Mason University), "Sonata No. 1 for Piano Solo by Charles Ives"
3:45 - 4:00	Break
4:00 - 5:00	AMS/CMS/MTSE panel "A Contemporary Pedagogy of Harmony: Figured Bass (Historical) or Chords and Chord Changes (Synchronic)" (LH 217) Abstract
	SEHKS Membership business meeting

Dinner break

Evening

6:00 - 8:30	Registration - all groups
7:00 - 8:15	MTSE session: Beethoven Studies (LH 217)
	Renee McCachren (Catawba College), "Evasion of Closure in Beethoven’s Late Style" Abstract
	John E. Crotty (West Virginia University), "The Tonic Function Expressed by Dominant Harmony: the First Movement of Beethoven’s Op. 101 as Model for Wagner's Tristan Prelude" Abstract
	CMS session (221)
	Julie Ann Throckmorton (West Virginia University), "Levels of Acculturation that Have Occurred in the Music of the Italian and Greek Communities of Ambridge, Pennsylvania"
	Renee Lapp Norris (University of Maryland), "Italian Opera, Blackface Minstrelsy, and the Antebellum Popular Culture"
8:15 - 8:30	Break
8:30 - 9:45	MTSE session: Twelve-Tone Explorations (LH 217)
	Melissa Roberts (University of Texas at Austin), "Nikos Skalkottas’ Harmonic Conception as Reflected Through Combinatorial Manipulation" Abstract
	Ron Squibbs (Georgia State University), "Cosmic Analogies: Structure and Symbolism in Tavener’s Ikon of Light" Abstract
8:30 - 9:45	SEHKS recital: Joseph Butler (Texas Christian University) and John Brock (University of Tennessee, Knoxville), Organ Works of Bach (OH)
9:45	UNCG School of Music Reception
	MTSE Executive Committee??

Saturday, March 11

Morning

8:00 - 9:00	Registration - all groups
8:30 - 10:15	AMS (221)
	Kevin Moll (Eastern Carolina University), "Texture and Counterpoint in Four-Voice Liturgical Works of Machaut and his Contemporaries"
	Timothy J. Dickey (Duke University), "L’Art de Musicien: Text-Sensitivity in Selected Ballades of Guillaume de Machaut"
	Sarah Charlock (Christopher Newport University), "Processional Antiphons in Two Eleventh-Century Manuscripts: A Comparison"
9:00 - 10:15	Individual sessions
	SEHKS (OH)
	JoAnn Udovich, "Performance, Transformation and Catholic Ideology in the Liturgical Organ Music of Frescobaldi"
	Larry Palmer (Southern Methodist University), "Bach’s Audio-biography? A Look at BWV 890"
	CMS (154)
	Robert McFadden (Southeastern Oklahoma University), "Better Performances by Using the Score"
	Laurel Ewell (West Virginia University ) "Syrinx or La Flûte de Pan?: The Original Performance Context for Debussy’s Work for Solo Flute"
	MTSE : Recent Music (LH)
	John D. Cuciurean (Florida International University), "Aspects of Voice-Leading in Ligeti’s Recent Music" Abstract
	Margaret Thomas (Connecticut College), "From Cowell’s Rhythmic Ratios to Nancarrow’s Temporal Dissonance: Rhythmic Multiplicity in 20th-Century Theory and Composition" Abstract
10:15 - 10:30	Break
10:30 - 11:45	Individual sessions
	SEHKS (OH)
	Randall Love (Duke University), "Vorisek’s Impromptus and Rhapsodies"
	Dana Ragsdale (University of Southern Mississippi), mini-recital: "Works of Frescobaldi, Bach, and Scarlatti"
	CMS Composers’ Concert (RH)
	AMS (221)
	Rebecca Oettinger (University of South Carolina), "Luther, Lieder, and Literacy, or How Song Saved the German Reformation"
	Michele Clark (University of North Carolina at Chapel Hill), "Performances of Beethoven’s Symphonies in Vienna, 1800-1827"
	AMS business meeting

12:00 - 1:30

Lunch (all) and business meetings (CMS, MTSE)

Afternoon

1:30 - 2:15	SEHKS instrument demonstration (OH)
2:30 - 3:45	Joint session (RH)
	Christopher Stembridge, "The Cembalo Cromatico and Its Repertoire"
	Tim Striplin (University of North Carolina at Chapel Hill), "Chopping Down the Joshua Tree: Irony, Postmodernism, and the ‘New’ U2"
3:45 - 4:00	Break
4:00 - 5:15	CMS (RH)
	Bonny H. Miller (Southeastern Louisiana State University), "Mathilde Marchesi’s Tips for Tomorrow's Vocal Pedagogy"
	Barry Salwen (University of North Carolina at Wilmington), "The Piano Music of Sophia Gubaidulina"
	MTSE (LH)
	D'Ette Bollinger (Ohio State University), "The Divided 8-Line Urlinie: Anomaly of Representation or Composition?" Abstract
	Carl Wiens (University of Massachusetts), "When is a Tonic a Tonic?: Understanding Stravinsky’s Neo-Classic Works Through the Trope of Irony" Abstract
	SEHKS board meeting

Evening

8:00	Concert: Apollo Ensemble, John Hsu, conductor, Andrew Willis, fortepiano (Aycock Auditorium)
ca. 9:45	Reception (Weatherspoon Art Gallery)