Thursday, March 9
Afternoon
| 4:00 - 5:30 | SEHKS Registration |
| 4:30 - 5:30 | SEHKS Board Meeting |
| 5:30 - 8:00 | Dinner (on your own) |
| 8:00 | SEHKS Recital: Christopher Stembridge, organ and Elena Sevshikh, fortepiano (OH) |
Friday, March 10
Morning
8:30 - 9:00 |
SEHKS Registration |
9:00 - 10:15 |
SEHKS session (RH) |
Ed Swenson, (Ithaca College) "A Tour of Three Mid-19th-Century American Piano Factories" |
|
Angeline Case-Stott (University of Memphis), mini-recital: "Music of Anna Bon and Elizabeth-Claude Jacquet de la Guerre" |
|
10:15 -10:30 |
Break |
10:30 - 11:45 |
SEHKS session (RH) |
Joyce Lindorff (Temple University), "Back to Basics? Antique Harpsichords and Early 20th-Century Harpsichord Music" |
|
Elaine Funaro, mini-recital: "Something Borrowed and Something New: New Music Inspired by Old Forms" |
|
11:45 |
Lunch (on your own) |
Afternoon
| 12:00 -1:00 | Registration - all groups |
| 1:00 - 2:15 | Joint session (LH 217) |
| Candace Bailey (North Carolina Central University), "Unmeasured Preludes in England" | |
| Alexander Silbiger (Duke University), "'Il chitarrino le suonerò': commedia dell'arte in Mozart's Piano Sonata K. 332" | |
| 2:15 - 2:30 | Break |
| 2:30 - 3:45 | Joint session (LH 217) |
| Ross Duffin (Case Western Reserve University), "Issues of 18th-century Temperament and Tuning" | |
| James Nalley (George Mason University), "Sonata No. 1 for Piano Solo by Charles Ives" | |
| 3:45 - 4:00 | Break |
| 4:00 - 5:00 | AMS/CMS/MTSE panel "A Contemporary Pedagogy of Harmony: Figured Bass (Historical) or Chords and Chord Changes (Synchronic)" (LH 217) Abstract |
| SEHKS Membership business meeting |
Dinner break
Evening
| 6:00 -8:30 | Registration - all groups |
| 7:00 -8:15 | MTSE session: Beethoven Studies (LH 217) |
| Renee McCachren (Catawba College), "Evasion of Closure in Beethoven’s Late Style" Abstract | |
| John E. Crotty (West Virginia University), "The Tonic Function Expressed by Dominant Harmony: the First Movement of Beethoven’s Op. 101 as Model for Wagner's Tristan Prelude" Abstract | |
| CMS session (221) | |
| Julie Ann Throckmorton (West Virginia University), "Levels of Acculturation that Have Occurred in the Music of the Italian and Greek Communities of Ambridge, Pennsylvania" | |
| Renee Lapp Norris (University of Maryland), "Italian Opera, Blackface Minstrelsy, and the Antebellum Popular Culture" | |
| 8:15 -8:30 | Break |
| 8:30 -9:45 | MTSE session: Twelve-Tone Explorations (LH 217) |
| Melissa Roberts (University of Texas at Austin), "Nikos Skalkottas’ Harmonic Conception as Reflected Through Combinatorial Manipulation" Abstract |
|
| Ron Squibbs (Georgia State University), "Cosmic Analogies: Structure and Symbolism in Tavener’s Ikon of Light" Abstract | |
| 8:30-9:45 | SEHKS recital: Joseph Butler (Texas Christian University) and John Brock (University of Tennessee, Knoxville), Organ Works of Bach (OH) |
| 9:45 | UNCG School of Music Reception |
Saturday, March 11
Morning
| 8:00 - 9:00 | Registration - all groups |
| 8:30 - 10:15 | AMS (221) |
| Kevin Moll (Eastern Carolina University), "Texture and Counterpoint in Four-Voice Liturgical Works of Machaut and his Contemporaries" | |
| Timothy J. Dickey (Duke University), "L’Art de Musicien: Text-Sensitivity in Selected Ballades of Guillaume de Machaut" | |
| Sarah Charlock (Christopher Newport University), "Processional Antiphons in Two Eleventh-Century Manuscripts: A Comparison" | |
| 9:00 - 10:15 | Individual sessions |
| SEHKS (OH) | |
| JoAnn Udovich, "Performance, Transformation and Catholic Ideology in the Liturgical Organ Music of Frescobaldi" | |
| Larry Palmer (Southern Methodist University), "Bach’s Audio-biography? A Look at BWV 890" | |
| CMS (154) | |
| Robert McFadden (Southeastern Oklahoma University), "Better Performances by Using the Score" | |
| Laurel Ewell (West Virginia University ) "Syrinx or La Flûte de Pan?: The Original Performance Context for Debussy’s Work for Solo Flute" | |
| MTSE : Recent Music (LH) | |
| John D. Cuciurean (Florida International University), "Aspects of Voice-Leading in Ligeti’s Recent Music" Abstract | |
| Margaret Thomas (Connecticut College), "From Cowell’s Rhythmic Ratios to Nancarrow’s Temporal Dissonance: Rhythmic Multiplicity in 20th-Century Theory and Composition" Abstract | |
| 10:15 -10:30 | Break |
| 10:30 - 11:45 | Individual sessions |
| SEHKS (OH) | |
| Randall Love (Duke University), "Vorisek’s Impromptus and Rhapsodies" | |
| Dana Ragsdale (University of Southern Mississippi), mini-recital: "Works of Frescobaldi, Bach, and Scarlatti" | |
| CMS Composers’ Concert (RH) | |
| AMS (221) | |
| Rebecca Oettinger (University of South Carolina), "Luther, Lieder, and Literacy, or How Song Saved the German Reformation" | |
| Michele Clark (University of North Carolina at Chapel Hill), "Performances of Beethoven’s Symphonies in Vienna, 1800-1827" | |
| AMS business meeting |
| 12:00 - 1:30 | Lunch (all) and business meetings (CMS, MTSE) |
Afternoon
| 1:30 - 2:15 | SEHKS instrument demonstration (OH) |
| 2:30 - 3:45 | Joint session (RH) |
| Christopher Stembridge, "The Cembalo Cromatico and Its Repertoire" | |
| Tim Striplin (University of North Carolina at Chapel Hill), "Chopping Down the Joshua Tree: Irony, Postmodernism, and the ‘New’ U2" | |
| 3:45 - 4:00 | Break |
| 4:00 - 5:15 | CMS (RH) |
| Bonny H. Miller (Southeastern Louisiana State University), "Mathilde Marchesi’s Tips for Tomorrow's Vocal Pedagogy" | |
| Barry Salwen (University of North Carolina at Wilmington), "The Piano Music of Sophia Gubaidulina" | |
| MTSE (LH) | |
| D'Ette Bollinger (Ohio State University), "The Divided 8-Line Urlinie: Anomaly of Representation or Composition?" Abstract | |
| Carl Wiens (University of Massachusetts), "When is a Tonic a Tonic?: Understanding Stravinsky’s Neo-Classic Works Through the Trope of Irony" Abstract | |
| SEHKS board meeting |
Evening
| 8:00 | Concert: Apollo Ensemble, John Hsu, conductor, Andrew Willis, fortepiano (Aycock Auditorium) |
| ca. 9:45 | Reception (Weatherspoon Art Gallery) |