"How one thing leads to another": The Notion of Process and Unity in Webern's Atonal Music - Abstract

Carolyn Mullin, University of Oregon

Dovetailing in John Adams's "Chain to the Rhythm" - Abstract

Alex Sanchez-Behar, Florida State University

3:00–4:45PM: Schenkerian Approaches

Boyd Pomeroy (Georgia State University), Chair

Speaking Dramatically through Linear Analysis: Characterizations in Menotti's The Telephone - Abstract

Elizabeth Lena Smith, Florida State University

The Referential Roles of G/Fx and A#/Bb in Johannes Brahms's Variations on a Theme by Robert Schumann, Op. 9 - Abstract

Hiu-Wah Au, Elizabethtown College

Schenker's Challenge: Auxiliary Cadences and First Movements - Abstract

Mauro Botelho, Davidson College

7:15–9:00PM: Stravinsky Sketch Studies: A Behind-the-Scenes Look at Compositional Method - Abstract

Jane Clendinning (Florida State University), Chair; Joseph Straus (The Graduate Center, CUNY), Respondent

Overview and Initiation: The Sketches for the "Grand Chorale" from The Soldier's Tale - Abstract

Don Traut, University of North Carolina at Greensboro

Some Assembly Required: The Sketches for the "Sarabande-Step" from Agon - Abstract

Mark Richardson, East Carolina University

Stravinsky's Sketches for the Symphony of Psalms - Abstract

David Smyth, Louisiana State University

Saturday, March 5

8:30–10:15AM: Rhythm and Timbre

Gabe Fankhauser (Appalachian State University), Chair

Rhythm, Resistance, and Analysis in Haydn's Quartet, Op. 20, No. 3 - Abstract

Eugene Montague, University of Central Florida

Structuring Timbre in an Octatonic Context: The Music of Bohuslav Martinu - Abstract

Hubert Ho, University of California, Berkeley

Minimalism, Structure, Salience (and their absence) in John Adams's Lollapalooza - Abstract

Michael Buchler, Florida State University

10:30AM–12:15PM: Speculative Theory

Adam Ricci (University of North Carolina at Greensboro), Chair

Some Thoughts on Measuring Voice-Leading Distance - Abstract

Clifton Callender, Florida State University

Ramism in Sixteenth-Century Music Theory: The "New" Dialectic Method and the Cognitive Structure of Friedrich Beurhaus's Treatises - Abstract

Elisabeth Kotzakidou Pace, Washington University in St. Louis

Limits of Objectivity: Toward a Quantum Philosophy of Music Theory - Abstract

Adrian P. Childs, University of Georgia

2:00–3:45PM: Interdisciplinary Approaches

Deborah Burton (Florida International University), Chair

Narrative Codes and Voice-Leading Strategies: Brahms's Intermezzo in E Major,Op. 116, No. 6 - Abstract

Melissa Hoag, Indiana University

Mickey Mousing, Mood Music, and Conceptual Metaphor Theory - Abstract

Juan R. Chattah, Florida State University

Types, Tokens, and Figaro: An Interdisciplinary Approach to Musical Structure and Dramatic Narratives in Opera - Abstract

Matthew Shaftel, Florida State University

4:00–5:00PM: Keynote

Atonal Pitch Space

Joseph Straus, The Graduate Center, CUNY

MTSE Home Page

Music Theory Southeast

14th Annual Meeting

Friday, March 4–Saturday, March 5, 2005

The University of Miami, Coral Gables, Florida

Friday, March 4

Nancy Rogers (Florida State University), Chair

John Turci-Escobar, University of Georgia